Woodwind Pedagogy

One of the classes that I teach each fall is Woodwind Pedagogy. Most of the students who take this class are music education majors, and this specific class is one of their degree requirements. The goal is to have each student reasonably proficient on three different woodwind instruments by the end of the semester, which …

National Flute Association Convention 2013

It has been a while since I attended the annual National Flute Association convention, but I just returned from the one held in New Orleans from August 8 – 11. The convention is simultaneously overwhelming, exhausting, and inspirational. I performed and presented during this particular convention, saw a lot of friends and colleagues, attended as …

Summer Schedule

During the summer, I usually focus on technique. Every day, I play through large portions of Taffanel and Gaubert’s 17 Daily Exercises and Moyse’s Daily Exercises. I also reacquaint myself with old etudes and learn new ones. This summer, I’m taking a different approach. I’m working mainly on repertoire because I’m optimistic that I will …

The Glissando Headjoint

I recently purchased a Glissando headjoint, which is a relatively new piece of flute “gear” invented by Robert Dick. If you aren’t familiar with him, he’s one of the preeminent performers of contemporary music. He’s active as a performer, a composer, and a teacher. This headjoint slides out from its home position to create a …

2012 in Review

This is a little delayed, perhaps, but it’s time for a bit of perspective on the events of last year. As I went back and read through my summary of 2011, I can’t help but be reminded of how incredibly, insanely different this January is compared to last January. Last January, I wrote my end-of-year …