The flute trials are over. Recently, I bit the bullet and bought a silver handmade Powell flute, and I paired it with a Ruby Aurumite soloist cut headjoint. Once I decided that I wanted a silver inline handmade Powell, I spent a lot of time trying out different headjoints. I found this to be a …
I had the pleasure of chatting with Dr. Megan Lanz this week. Megan is a flutist based in Las Vegas, Nevada; she and I met over Twitter, where so many good connections are made. Megan and several friends have recently organized themselves in a group called Whole Musician and have just wrapped up hosting their …
A few days ago, I had a lesson with one of my teachers, Christina Smith. I half jokingly mentioned on Twitter later that afternoon that it had “changed my life.” But after some reflection, maybe it did in a small way… Since I am no longer in school, I have to grab lessons whenever my …
The holidays came early to the SDSU flute studio in November. Several of my students wanted to try out new flutes; most were ready to upgrade, and one wanted to get an idea of her options in anticipation of upgrading next year. We had seven brands of flute to try out over the course of …
This past weekend, I had the pleasure of attending the Kentucky Flute Festival for the second year in a row. This year included very different events compared to last year, so it was nice to be able to attend and participate in such a different festival. It was also great to catch up with a …
It’s been a busy, full year. Usually, I assess what I’ve done (and haven’t managed to get done) at the end of the academic year; as a college professor, my concept of a “year” goes from August to May. However, it probably isn’t a bad idea to perform a mid-year check-up. While it’s easy to …
I recently ran across this great little interview with the well-known flutist Samuel Baron (1925 – 1997). He was very active in New York as a performer, teacher, and conductor. He served as President of the National Flute Association from 1977 – 1978. He left behind a very long, impressive list of students; he studied …
Preparing for a recital can be a daunting process. If you’ve ever given a recital before, you’ve discovered that there’s more to the process than just learning the music. You often collaborate with a pianist or other chamber music partners. You perform in a space that might differ significantly from your usual practice room, …
For me, number 1 is the most difficult to manage. Which give you the most trouble? Image found at http://www.kerismith.com.
