I was first introduced to Alexander Technique about 10 years ago at a flute masterclass with Keith Underwood. It was a useful tool for discovering unhealthy habits and sources of muscular tension. Since that time, I haven’t pursued additional training in Alexander Technique, but I am realizing tension in my playing that I think can …
It seems that, as young faculty members, the task of teaching non-music majors falls to us. My first college teaching gig wasn’t teaching applied flute (even though I have three degrees in the subject) – it was teaching music appreciation. It’s a real eye-opener to go from a graduate program, taking upper-level musicology seminars, to …
As the fall semester is very nearly here, it’s time for me to get my Flute Studio Syllabus together. My goal in creating my syllabus (besides appeasing the administration!) is to set expectations and establish a culture in flute studio for the year. Hopefully, by doing this at the very beginning, all of my students …
What do you do when you’ve practiced that one difficult section over and over and over again, and it still isn’t right? It’s not fast enough, or smooth enough, or loud enough, or … It can be really frustrating when you’re making an honest effort to improve but you aren’t seeing results. Next time you …
Often, when you have been doing a considerable amount of practice, you suddenly feel like you’re getting much WORSE instead of better. In my experience, this is actually a good thing. You aren’t getting worse. It’s just that your ears are now more acutely aware of the things about your playing that could be improved. …
I will readily admit that I’m a bit of a nut when it comes to playing B-flat on the flute. I’m always very deliberate when it comes to which fingering I choose for this note. It’s really important to make sure that you’re using the most advantageous fingering for the passage you’re playing to make sure …
To follow up on my last blog post, Practicing: run-throughs vs. small chunks, here are some ways to break down your practice to get more work done in less time. I’ve chosen an example from the Rubank Elementary Method for Flute, but these ideas apply to all music at all levels of difficulty. Copyright by …
I was never taught how to practice, but I remember the point at which my practicing became much more efficient. And this is really what we want, right? To get the most out of the limited practice time we have? Often, I find that my students only tend to run through music during their practice …
It’s really important to establish some kind of practice schedule. Many times, I have new students (college or private students) who realize they have to practice between lessons but just never seem to get around to it. Before they know it, a full semester is over and they really haven’t made any progress, which is …
The book “17 Daily Exercises” (or 17 Grands Exercices Journaliers de Mécanisme) by Paul Taffanel and Philippe Gaubert is the flutist’s bible. Since its publication in 1923, it has become a standard method book for all flutists. Taffanel began writing this book, and it was finished by his student, Gaubert, after Taffanel’s death. I start my …
